Since 1970, Arts Advocates/Fine Arts Society of Sarasota has been acquiring works of art and displaying them at the Van Wezel Performing Arts Hall. The collection contains 53 pieces by Florida artists and represents a wide range of media and styles dating from the 1930s to the present.
Sarasota Colony of Artists
From the 1940s through the 1970s, Sarasota was a thriving art colony, recognized nationally for the celebrated painters and sculptors who had homes and studios in the area. These energetic artists came from across the United States and had a significant impact on the local art scene, representing major styles and trends of twentieth century art.
Jerry Farnsworth and Helen Sawyer of Greenwich Village and Cape Cod are considered the acknowledged founders of the Sarasota art colony. They were instrumental in attracting other artists to the area, and their enthusiastic personalities were a strong influence on encouraging collaborations socially.
Ben Stahl was one of the best-known members of the Sarasota art colony. He founded the Famous Artists School, one of the first correspondence art schools in the United States, and for 30 years his illustrations appeared as covers for The Saturday Evening Post. Stahl painted a series of 15 paintings in the 1950s, commissioned by the Catholic Press, modeled after the 14 Stations of the Cross with a 15th titled “Resurrection,” because he wanted the series to end positively. In 1965, he opened the Museum of the Cross in Sarasota, which was a major tourist attraction that brought people from around the world. Each painting was a monumental 6 foot x 9 foot canvas. They were stolen one night in November 1966. It was the second largest art theft of the decade, with the value assessed at over $1.5 million dollars at that time. The paintings have never been recovered.
Abstract artist Syd Solomon moved to Sarasota in 1946 with his wife Annie. His was the first work by a contemporary artist to be displayed at the Ringling Museum of Art. In the 1960s Solomon's reputation reached a high point and he was being shown at many of the finest museums in the world. This popularity made him an influential personality in both his Hamptons and Sarasota communities. He helped bring many well-established artists to Florida after he started his Institute of Fine Art at New College. Solomon taught at many institutions throughout his life including the Famous Artists School, the Sarasota School of Art, and the Pittsburgh Art Institute.
Even though the colony scene dissipated in the 1970s, some of these artists are represented in the Arts Advocates collection.
We have quite a variety of sculpture in our collection, with works by Frank Eliscu, Dorothy Gillespie, Sophie Johnstone, Stanley Marcus, Fred Nagel, and Thomas Williams. Born in the early twentieth century, many studied at the Art Student League and lived in New York City. The collection includes “Great Blue Heron” by Eliscu, who worked on the Jefferson Memorial, the Heisman Trophy, and the five-story frieze that decorates the glass panes above the doors to the Library of Congress. “Song of the Rain Dance” is an abstract of colorful metal ribbons by Gillespie. Johnstone, Nagel and Williams represented the human form, hollow spaces, music and dance. Marcus welded and cast aluminum figures incorporating ceramics, glass and musical instruments.
In 2019, WEDU PBS, which airs on Florida’s West Coast, highlighted Arts Advocates/Fine Arts Society of Sarasota, focusing on the ways in which our organization presents and preserves works by local artists and fosters the growth of young artists in Sarasota.
"Arts Plus" is produced throughout the United States via local PBS stations. This Sarasota program was one of only four segments from all the national programs to be shown on all PBS stations as a top production and interesting subject matter. View the program here: WEDU PBS Arts Plus video - Arts Advocates/Fine Arts Society of Sarasota
Thanks to Arts Advocates members Roberta "Bobbie" Hamilton, Vern Weitz, Cindy Woodling, Elizabeth Rose, Diana Colson and the Van Wezel's Janet Arena for their leadership and participation in the development of this program.
Hilton Leech was born in Bridgeport, Connecticut in 1906 and passed away in 1969.
He studied with George Luks, Archile Gorky and George Pearse Ennis at the Grand Central Art School; Art Students League, NYC.
Hilton held membership and held office in many prestigious organizations: Florida Artists Group, 1952, 1953, president; Palm Beach Art League; Florida Federation of Art; American Watercolor Society; Philadelphia Watercolor Club; Salmagundi Club; Allied Artists; Knickerbocker Artists; Sarasota Art Association; Casein Painters Society; Ringling Art School; Art League of Manatee County; Atlanta Art Association.
“These types of structures hold history for me because I worked in them as a child in the South. I’ve been painting them for over 40 years because many remain in my hometown of Quincy, Florida. The recent hurricane that hit the panhandle destroyed many lives along with this particular barn. The painting, though representational, is boldly abstract in the use of overlapping forms and contrasting elements. The use of light adds both atmosphere and weight to the composition.”
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